When using Stomp Boxes I prefer Boss..

Try either Boss DS-1, ML-2 or MT-2.

or check out a tubescreamer, those are great as well. SInce your playing through a Vox, I'm not sure what type of distortion you're looking for I can't imagine it would be to Heavy, so I'd check out either a DS-1, ML-2 or tubescreamer, hope this helps.

	DigiTech JMD JamMan Delay Looper Pedal List Price: $499.95 Sale Price: $292.95 Used From: $250.00
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	TC Electronics TonePrint Flashback Delay Effect Pedal List Price: $232.00 Sale Price: Too low to display
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	Line 6 DL4 Stompbox Delay Modeler List Price: $349.99 Sale Price: Too low to display Used From: $219.99
	The DL4 Delay Modeler offers you an incredible array of sounds, from a tube driven, tape loop echo (complete with adjustable wow and flutter), through 24 bit squeaky clean digital echo, to real-time reverse delay...

	Electro-Harmonix Stereo Memory Man with Hazarai Delay Looper Pedal List Price: $294.00 Sale Price: $198.99 Used From: $199.00
	It's an echo, a multi-tap delay, a reverse echo, and a performance looper with up to 30 seconds of loop time, all in true stereo! Featuring tap tempo, vintage tape echo filtering, and eight programmable presets...

	Digitech Jamman Delay Looper Pedal Stomp Box List Price: $499.95 Sale Price: $328.90
	When DigiTech developed the PDS 8000 looper pedal over 20 years ago, it offered eight seconds of delay or looped audio. When the company reinvented looper pedals in 2005 with the original JamMan, over six hours worth of material could be recorded and stored on a removable media card...

Line 6 JM4 Looper List Price: $459.99 Sale Price: Too low to display Used From: $265.00

Not only do the features in the JM-4 Looper define a new segment, but its the only jamming device for guitarists that features exciting, energized jam tracks. Its like playing with a real pro band, because you are playing with a real pro band! Combining exhilarating jam tracks with sound-on-sound looping and a full arsenal of legendary Line 6 tones, JM4 Looper sparks inspiration in ways other looping pedals can only dream...

	E2 Headrush Delay/Echo/Looping List Price: $399.00 Sale Price: $174.95
	The Akai Headrush E2pedal continues on from where the award-winning Akai Headrush E1 left off. The new Akai E2 Headrush delay pedal brings delay, tape echo simulations and a looping recorder in one convenient pedal...

	DigiTech JamManSolo Guitar Looper Pedal, Blue List Price: $309.95 Sale Price: $174.95 Used From: $169.99
	When we developed the PDS 8000 looper pedal over twenty years ago, it looped eight seconds of audio. When we reinvented loopers in 2005 with the original JamMan, over 6 hours worth of material could be stored on a removable media card...

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YOULL NEED A WAH-WAH AND ALSO A DELAY BOX

Delay Looper is a post from: Fat Finger Music Electric Guitar Blog, click to read more.

Output 1 and 2 would be stereo. Same with Input 1 and 2 (in most cases).

So just stick with mono outputs / inputs which would be the #1. Don't use Direct.

Have Chorus and Delay be last on the chain. Everything else is up to you.

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Learn to Play Electric Guitar: Special Tip on Effects

The electric guitar is one of the most versatile instruments in modern music. It can create rhythmic/percussive textures in one moment, and smooth, singing sounds in the next. Not only that, but an almost limitless combination of new sounds may be created simply by playing with which effects, amplifiers and types of guitar get paired together.

This sonic variety provides you with a unique opportunity to create a 'signature sound'. Sadly, most of the current music curriculum for guitarists ignores these issues. The truth is that learning to play electric guitar is process which continues well beyond achieving proficiency in music theory, much less the rote motor skills necessary to manipulate the strings.

For that reason alone, I decided to create this quick tutorial about the use of effects pedals in the hopes of helping you break free from the “three chords and some distortion” rut so many guitarists find themselves stuck in.

The long and short of this tutorial is: You must learn how to 'chain' your effects pedals

I am aware that some guitarists prefer 'all-in-one', multi-effect pedal units (e.g. Digitech RP series) for their ease, convenience and versatility, and they are wonderful devices in theory. There are plenty of situations where a multi-effect pedal is the appropriate tool for the job.

The problem comes when you tire of the limitations of whichever multi-effects unit you're using.

You might think “an effect is an effect”, but this simply isn't true. The electronic circuitry of any effect pedal can add to/subtract from your overall tone in the same way that the type of wood your guitar is made of, or the pickups it uses, will influence your tone.

This is why you'll see many professional players use a variety of effect pedals, and they'll often have a favorite model for a particular type of effect.

In order to 'tweak' your sound, you must understand the 'proper' chaining of effects pedals from guitar to amp. There exists a loose set of rules regarding the placement of different types of effects in a chain for the best 'signal to noise' ratio.

While these rules are not absolute, you'll find that they hold true from a general standpoint a majority of the time. Like the saying goes, though, you have to know the rules before you can break them.

A Good Effects Chain

Guitar -> Wah -> Distortion -> Chorus -> Amp + Delay (sent separately through the amp's effect loop)

or

Guitar -> Wah -> Distortion -> Chorus -> Delay -Amp

As you may notice above, Delay is typically the last effect in any chain. You will have to plug from the Delay (at the end of the whole chain) into your amp's input jack if you are using a one-channel amp.

For two-channel amps, it is generally recommended to plug your Guitar-Wah-Distortion-Chorus chain into the input jack, while plugging your Delay (separate from the chain) into the amp's “effects send/return” loop.

Doing so gives you a more 'natural' feeling sound because the Delay will modulate the amplified signal, rather than adding noise (and potentially over-driving the amp) as it happens when you allow the delay signal to be amplified.

Now, in order to 'break' the rules, you need to learn more about what each of your effects actually does to the signal put into it. This gets easier once you realize that there are just a handful of ways to shape a signal.

In general, you will find that the effect of your is doing one (and sometimes more than one) of the following things to your signal:

1. Adding to it

2. Subtracting (or 'clipping) from it

3. Modulating it

A distortion pedal, for example, creates noise ('distortion') by clipping the signal. If you look at the waveform shape of a guitar signal, it is pretty close to a Sine wave. The smoother the wave, the smoother and clearer the signal.

Imagine if you clipped off the tops of the 'curves', creating something closer to square wave? It's going to sound harsher and 'buzzier'. In other words, it's going to sound distorted!

Likewise, imagine if you could modulate a signal so that the peaks and valleys (amplitude) were more extreme, their spacing (phase) less regular or the peak frequency response (tone) filtered in or out?

In the first case, you would affect volume. In the second case, you would affect the timing or regularity of of the signal. In the third case, you would affect the clarity (as interpreted by the human ear) of the signal. All of these are modulations.

Now, think about this: Would it sound better to modulate a distorted signal, or to distort a modulated signal?

In general practice, the answer is that it depends on whether the modulation has a less than negligible impact on volume. Remember that distortion is created by clipping the peak amplitude of a signal, which also effects volume.

So, you have to look at which effects cause the most significant attenuation in volume, and then chain them in order of most to least. You take the 'hit', so to speak, up front rather than allowing the entire processed signal to take a drastic cut at the end of the chain.

Keep in mind, too, that you must also balance the location of volume cuts (as well as boosts) against the amount of noise introduced into the signal.

Again, this isn't all cut-and-dry. Placement of effects is very much dependent not just on their type, but how many are involved. Figuring out what works so you can shape your sound is one of the most exciting stages of learning to play electric guitar.

My hope is that this tutorial has given you enough basic information to start experimenting with effects placement for yourself, so you can find the exact sound you're looking for!

For that reason alone, I believe that guitar-centered music instruction should be revised to include lessons on how to shape your sound.

Sadly, most of the current music curriculum for guitarists ignores these issues.

About the Author

Andreas Wahlstedt is committed to learn ordinary people play guitar.
Get his free report and mails here:

http://www.learnguitarin48hours.com/

Delay Pedal is a post from: Fat Finger Music Electric Guitar Blog, click to read more.

David Gilmour

Loads of guitarists use a little delay at the very least.

EDIT: I'm buying the 808+ (tube screamer) from this guy, but have a listen the clips of his delay pedal...

http://www.goudiefx.com/delay.php

EDIT2: That's sweet, you can't beat analog gear.

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For Wonderful Effects Choose Line 6 Guitar Amps

Line 6 was founded in 1996 and was based in Agoura Hills, California. It is a producer of digital modeling electric guitars, acoustic guitars,amplifiers and for good effects processors.The company experienced a quick expansion in the early 2000s due to it’s achievement of their POD branded product that reproduced the sound of various classic and amazing modern guitar amplifiers, effects pedals,amplifier cabinets and other microphones, with a high-quality deal of accuracy. The PODxt Live product is a current development, and extends the characteristics of the unique POD with more reproductions and effects in a pedal board package. Line 6 now has numerous other product lines in production:Line 6 has an energetic user community, and that provides software, which allows users to simply download and share patches or machine settings. This software covers all of Line 6's obtainable flagship products.Their products are used and authorized by many expert artists.Line 6 guitar amps offers stirring various kinds of effects, consisting of chorus/flanger, phase, tremolo, digital delay, tape echo, and other sweep echo as well. By using Smart FX all effects could be jerked easily, Top Tempo permits change of delay times.Line 6 has come up with the Spider II guitar amp with the Smart Control FX.By using the delay knob you could select a standard delay, tape echo, and other sweep echo. You have an option to choose among chorus/flange, phase,and as well from tremolo using the modulation effect knob.Line 6 guitar amps Tap Button permits you to set the pace of your delay effects, as well as gives you entrée to a Tuner, Distortion Boost, and a built-in Noise Gate.The distortion improve of the Line 6 guitar amp permits you to hit the model harder and get a more indistinct sound, by boosting your guitar signal before it attaining the Amp Model.Line 6 amps built-in Noise Gate would help to cut down on hiss and noise. You would recognize the gate is on when the Channel D LED comes on. When you get the Line 6 guitar amp you will discover even more hidden functions.

About the Author

Rocky is a Copywriter of www.gigasonic.com

He has written many articles in various topics.For more information visit:
www.gigasonic.com

contact him at gigasonic1@gmail.com

Delay Guitar is a post from: Fat Finger Music Electric Guitar Blog, click to read more.

Stroke wouldn't be an issue, but there could be some lasting effects from the lack of oxygen. people have died this way, don't be an idiot.

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View Page:   1  2  3  4  5  6  7  8

DELAY IN THE COURTS IN PAKISTAN AND POSSIBLE SOLUTIONS

TANVEER AHMED & ASSOCIATES

ADVOCATES, TRADEMARK ATTORNEYS & CORPORATE LEGAL CONSULTANTS

Suite # 3, Mehersons Estate, 1st Floor, Block-I, Talpur Road, Karachi-74000

Tel: (+9221) 2470256 Fax: (+9221)2470383

E-mail:tanveerahmedandco@gmail.com

____________________________________________________________________________

ARTICLE ON THE DELAY IN LOWER COURTS AND POSSIBLE REMEDIES FOR PAKISTAN

On returning from the experience of foreign courts there are various mixed feelings that you feel. There is an automatic feeling of false superiority thanks to our colonial, still slaved mindset. But apart from the psychological aspect there are clearly other reasons.

It is true that due to the standard of legal education, not many lawyers are sound on the academic side of law, hence litigation in the courts is reduced to the knowledge of procedure and standard formats found in varied text books usually copied word for word from Indian text books and abridged with Pakistani Case Law.

For example, in rent cases, out of the four grounds available to landlords for the eviction of their tenants, most advocates in their defence for the tenant only argue or defend their client on the ground of default in the payment of rent even if the application is made on the basis of personal grounds and somehow try to link these up.

It is for this reason that instead on arguments on law and its application, litigation is reduced to time delaying tactics especially if it is in the interest of you client to get more time.

The lawyer will get ill on the first date of the hearing, on the next he will claim to be busy in High Courts or some other court and hence will need to be excused from the hearing, then there will be occasions when someone close to him will sadly pass away. Does that remind us of domestic workers one’s mother normally complains about? There might be an occasion or two when the lawyer might conveniently forget to bring the case file or his books. Believe it or not, the judges tend to accept these as real excuses and the adjournment is given. If the other lawyer proves to be someone very vocal about the delay then the judge taking very strict notice of the callous behaviour of counsel may set the next date as the final chance.

The final chance hearings if anything, give you that hope that this will be it, the arguments will be heard, the law books referred to, and that you will finally get your chance to argue the case in which you will literally destroy the other lawyers defence courtesy of the strong case that you already have.

You get up at 7 am, wear your best court suit, look in the mirror already proud of yourself, walk out importantly and with a air of importance and urgency instruct the driver to take you to court. On the way you go through the case file and revise your arguments and imagine the expression on the judges face, how he would be intrusive with your opponent while being calm and composed while listening to your solid arguments. You also imagine other lawyers sitting and waiting for their turn to nod their heads in approval and praise of your arguments once you have completely destroyed to rubble the opponent’s citadel of defences.

As soon as you reach the court your junior greets you and offers to carry you file to the court room, you politely refuse as you are, in your professional modes, in the victory mode, and do not want to part with your weapon. You march to the court room in almost military fashion, you enter at 8 30 sharp, where you find out that the judge’s daughter is going to another city and thus, the judge is on leave. The air suddenly leaves the balloon! You find the court file heavy and quickly hand it over to you junior who seems to have a smirk on his face partly because he suddenly feels that he was right when he suggested a break the previous night when you were busy revising the case and you adamantly declined and partly in apathy, after all he does work for you. The next hearing date is almost a month from now. You suddenly feel tired from the exhaustion of completing all the corporate work and preparing for the case.

The opponent lawyer tells his client that he has, through his superior skills been able to get more time for him. You honestly tell your client that the court system is inefficient, that you tried your best, and that the next hearing will definitely be the last. You also ensure him that you will share his displeasure with the attitude of the judge.

This is the true picture of the court rooms in Pakistan apart from some corruption that goes on which adds to the misery of lawyers and litigants hopeful of some solution to their problem.

Here I would like to add a few comments about the judges. We generally have very passive judges who do not interfere in the way the lawyer is arguing his case with the result that the lawyer blabbers for as long as he wants regardless of the potency of his arguments. This gives the impression to newcomers that they could essentially get away with anything. Thus, founding the habit of slackness for the course of their entire legal carriers.

The lawyers will be lawyers, I am not about to start an argument in the defence of lawyers criticizing everyone else, if anything, they are as much to blame for the injustice faced by the litigants in Pakistani courts as any one else. However, their work is to serve the best interests of their clients staying within legal parameters. The lawyers need to be guided, sometimes in the name of morality, at other times by virtue of pressure. One should however, keep in mind that lawyers normally have proven to be tough people to manipulate. Remember, this is their expertise. But given the good intentions they could be persuaded to cooperate.

This is what I think is the remedy for the delay at least. First like all laws effective in Pakistan, we should try and follow the British legal system in its efficacy also albeit adapting it to the background of the people of Pakistan.

Secondly, the judges need to be trained in time management. This might mean that the whole procedure will need to be revamped. As soon as the suit is filed in court, before the hearing of arguments or the process of “evidence collection”, there needs to be held a time management conference in court where the judge should allocate days and the amount of time that each hearing shall start and end keeping a few reserve days in account of the holidays that sometimes just creep from behind.

This has to be strictly adhered to, if the lawyers are busy on this date then, they should let the other party know at least a few days in advance and get it set for the time on the reserved days.

This time management process has many facets, the discussion of which is not appropriate on the forum being used, suffice is to say there are many models for this management process that could be imported and adapted to our scenario. For reasons of clarity I do not deal with the issues at hand as an academic debate but rather as a reader friendly article.

The real problems remains, how do we get the lawyers and litigants and sometimes even the judges  from constantly losing relatives, getting ill or forgetting books when they are not prepared to do so. The answer ladies and gentlemen is Costs and bonuses!

This concept has the potential to revolutionize the whole system also catering to the promotion of fair business practices, Alternate Dispute Resolution, deterring unworthy law suits, and timely dispensation of justice.

I shall assume it to be a prudent decision to comment on the issue of the timely dispensation of justice as I believe that it shall lead to all the other benefits mentioned above.

Costs have proven to be the most effective method of increasing efficiency. By this I do not mean that cost should be increased or decreased but in essence, the awarding of costs by the courts to the party winning the trial. This can be achieved in many ways a few of which I present in this article. First, once the time management system is in place then for every adjournment there should be a fee attached for making such an application before time so that it starts costing litigants or their lawyers to miss a date. This will essentially force the advocate to indulge in a cost benefit analysis every time he thinks about missing a date. Naturally, the fee should be such that makes him think; not just a few bucks. I would like to mention here that I ardently believe in equality of sexes and I include females in the usage of “him”. If the advocate misses court without prior notice then the costs should equal the approximate fees of opposing counsel for the estimated time of the hearing plus the judges’ time and the litigants time judged with equity looking at the backgrounds and earnings of each on day to day basis.

The litigant should be made the target for paying these costs as and when they arise. The penalty for non payment could easily be a threat of the dismissal of suit, appeal, defence, etc. This should, in my opinion be sufficient for the litigant making sure that his lawyer reaches each hearing on time. As a remedy to the litigant against the callous lawyer, the litigant should have a right to complain, against his lawyer for making the lawyer pay costs, to the bar council who should decide after looking at the reasons submitted in written as to who should pay.

I earlier stated that the costs should be decided with equity. By this I mean that if the court really feels there is a genuine reason for delay then it should let the costs lie where they fall. However, this should only happen where the lawyer or the litigant give such reasons on court, which upon proving to be false should be treated as a contempt of court.

Now that the concept of delay is settled, we turn our attention to the distribution of the costs collected as this links directly to the approach that the judges would adopt in the true dispensation of justice.

As in foreign jurisdictions costs can be divided into various categories which stem from diverse reasons. First and foremost is the cost of the trial inclusive of any court fees, etc. This goes to the party who was forced to resort to litigation through the inappropriate and rigidity of the opponent. This includes filing vexatious claims, or refusing to settle the matter amicably before reaching the court even if the matter was genuine and involved a point of law. Lawyers should normally be required to make an offer to try and settle things before going to court to save court time and filter the cases reaching there. Pakistan is very fortunate to have some alternate dispute resolution centres where I have had the chance to act as counsel a few times. I found the system very commendable albeit the list of mediators was found not to be very encouraging. But this could easily be resolved. In such a situation the cost of the whole trial should be borne by the party who did not even consider ADR. However, if there are genuine reasons for not choosing this method, for instance the balance between the two parties or hostility, then the judge should have some room to show flexibility.

In the case of filing vexatious claims as found during the course of the trial, the cost should automatically award cost to the innocent party. It might be unpopular with the executive of this country but if the police are found to file a false case against a person or corporations then they should be made to pay even in criminal matters.

Secondly, the payments received for reasons of adjournments and unnecessary delay should be proportionately divided between three parties. One part should go to a separately created judge fund. How this fund should operate shall be illustrated below in the article. The second recipient should be the litigant who faced agony at the hands of his opponent by not allowing the course of justice to find its way.

The creation of a judge fund could have far reaching effects. This could be distributed at the end of each moth on two bases. First, some part of it should go to the judge in whose court the payment was made and whose time was wasted, this should however be the minor share. The other portion of the fund should be added to the salary of judges based on a system of points. The more the points, the more your share, the total fund being divided by the total tally of points each moth.

The points should be awarded and subtracted on two basis with the points being incapable of reaching a negative mark. Pointy should be added on each successful completion of trial and the publication of an order and should be subtracted if the trail does not reach its conclusion at the end of the time allotted at the initially held case management conference.

This will give the judges a reason for ensuring that the trial finishes within the time frame of expectation given birth to by virtue of the case management conference. It will further ensure that the judges take interest in the case management conference and start valuing their own words.

The system if put in place will also breath life into the business community especially traders associated with the business of import and export and getting caught up in trade mark hassles and construction companies against which groups have taken stay orders for malicious reasons or else it will help NGO’s struggling to make ends meet all through the dispensation of timely verdicts.

This could also prove to be a landmark achievement for human rights groups and activists who are working for jail inmates and against illegal detention whereby people are kept in jail without recourse to a speedy trial and are unable to get bail for want of surety.

But foremost and most importantly, after the resounding success of the lawyer’s movement it will help the judicial system to truly serve the people. They say that justice must not only be done it should be seen to be done. In Pakistan, even in the post movement era, it might sometimes be seen to be done but due to the delay it is almost never truly done. The system suggested might have potential worth exploring for the true dispensation of justice.

MOIZ AHMED

BARRISTER-AT-LAW (LINCOLN’S INN)

L.L.B. (HONS.)- UNIVERSITY OF LONDON.

M.A. (INTERNATIONAL RELATIONS)

PROFESSOR OF JURISPRUDENCE;  UNIVERSITY OF LONDON (ext.).

ASSOCIATE- TANVEER AHMED & ASSOCIATES;

ADVOCATES, TRADE MARK ATTORNEYS & CORPORATE LEGAL CONSULTANTS.

About the Author

The author is a practicing barrister in Pakistan having qualified as a barrister from Lincoln's Inn, Lonndon. He is also a professor of Jurisprudence for the University of London LLB program (ext.). During his acedemic years he has achieved various accolades and awards including the University of London, High Achiever's Award. He is also part of the prestigeous law firm of Tanveer Ahmed & Associates, Karachi.

Delay Effects is a post from: Fat Finger Music Electric Guitar Blog, click to read more.

To calculate the depth, the speed of sound is needed. However, the speed of sound in sea water depends on the sea water's temperature, as well as on its salinity and hydrostatic pressure. So any answer would just be an estimate if you don't give the other needed values.
Go to the link below. It has a good calculator in which you put the temperature, salinity and pressure. Then it calculates the speed of sound in your specific ocean water. After you know the speed of sound, you can then calculate the depth.

http://www.akin.ru/spravka_eng/s_i_svel_e.htm

I am assuming that your time delay of 6 seconds is the length of time it takes the sound to leave the vessel and return. If this is true, then a good estimate would be between 4500 and 4600 meters.

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Signals And Sound Processing

Recording technology gives us a lot of different methods for getting the sounds you want into the finished project, as well as removing the sounds you don't. This is all made possible through signal processing. A signal processor is used during the pre-mixing and mixing phases of the recoding process and during set up for instrument recording. Signal processing can be best defined as the conjunction of what must be done in order to turn the sound if the instruments used into a sound wave and the way to mix on order to get the best results from each instrument. Read on for some basic signal processors you should be familiar with.

Equalization - popularly known as EQ, these are used extensively in the process of recording. The idea of EQ us to make a balance between the frequency ranges of different instruments (or not, if that's the effect you want). EQ processing is built into most mixing boards, in software and there are also standalone EQ units.

Filters - Filtering is used to remove sounds that you don't want in your recording. If there is hiss or buzz which you can't get rid of by other means, you can filter these sounds out of your recording. You can do this with software by isolating the sound wave and digitally recalculating the sound alone.

Reverberation - Known as reverb for short, this is generally added after recording the instruments. Reverb adds resonance to the instruments which may have been missing form the original recording. This is an effect which works best on clearly recorded sounds which need a little extra something.

Delay - Delay is used to add an echo effect by signal processors. There are a lot of different types of delay available, from a simulation of different room sizes to delayed attack. You can use delay to create many interesting effects in your recordings.

Dynamic Processing - Dynamic Processing covers a range of different things, all of which are done at the beginning of the recording process. The first is compression, which limits the peaks of the wave, keeping it in the middle of its dynamic frequency range. Next is expansion, which as you may have guessed has the opposite effect. Limiting is third and is essentially the opposite of echo and reverb. The last kind of dynamic processing commonly used is noise gates, which prevent some sounds from being recorded, especially resonance from the instruments.

Noise Reduction - Noise reduction is something which is usually done several times throughout the recording process and acts to dampen unwanted sounds; including limiting highs and lows which you do not want in your finished recording.

These are the most important signal processors used in the process of recording and can help you get exactly the sound you want for your recordings. Through the use of these different signal processing components, you can get the perfect recording every time.

About the Author

Kevin Sinclair is the publisher and editor of MusicianHome.com, a site that provides information and articles for musicians at all stages of their development.

Echo Delay is a post from: Fat Finger Music Electric Guitar Blog, click to read more.